biography
| name: |
Miller, Henry (Valentine)
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| sex:
| male
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| lived:
| (1891–1980)
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| biography:
| Writer, born in New York City, New York, USA. Of German-American parentage (he mainly spoke German until he began school), he briefly attended City College of New York (1909), then worked at a variety of jobs, including at Western Union (1920–4). He had married in 1917 (and had a daughter in 1919) but was divorced in 1924, immediately marrying his second wife, June Smith, a dancer. He had long aspired to be a writer and had begun to publish book reviews by 1919, but it was 1922 before he commenced writing a novel (never published). Quitting his job (1924), he turned to anything to support himself as a writer, including selling poems door-to-door and managing a speakeasy in Greenwich Village, and then went off to Europe (1928) hoping to find a publisher. He returned to New York, wrote a third novel (never published) and, his marriage failing, went to Paris (1930), where he would live famously for the entire decade. Subsisting largely on handouts and some journalism, he became involved with Anaïs Nin who helped him publish (in Paris) his first major work, Tropic of Cancer (1934), heavily autobiographical and so sexually explicit that it was banned in English-speaking countries. (The first American edition appeared in 1961.) Subsequent books, such as Black Spring (1936) and Tropic of Capricorn (1939) were also banned. As World War 2 began, he went off to Greece to visit with an early admirer, the writer Lawrence Durrell, and out of this came Miller's Colossus of Maroussi (1941). Back in the USA, he toured the country, describing the experience in The Air-Conditioned Nightmare (1945), before settling in Big Sur, CA (1944). By now he was living off advances from James Laughlin of New Directions Press, but several of his books began to sell. His Sexus (1949) was the first part of a promised trilogy on his life, called The Rosy Crucifixion, but only Nexus (1960) appeared. By the late 1950s he was finding himself increasingly honoured by the literary establishment, and with the legal decision that Tropic of Cancer was not obscene, his works began to be republished. He also began to receive some recognition as a water-colourist. By the end of his life, he was widely recognized both for breaking down the barriers of censorship and for opening up the possibilities of modern fiction. |
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