biography
| sex:
| male
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| lived:
| (1858–1942)
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| biography:
| Furniture craftsman, designer, and editor, born in Osceola, Wisconsin, USA. The son of a stonemason, he learned and practised the trade until c.1875, when he went to work in an uncle's chair factory in Brandt, PA. By 1880 he had taken over the firm, and with his younger brothers, Charles Stickley and Albert Stickley, formed Stickley Brothers, a furniture manufacturing firm, which they moved to Binghamton, NY (1880s). Gustav at one point became involved with promoting electric streetcars and was evidently the first to operate one in the USA, but he concentrated his energies on improving the design of furniture and homes, not just for aesthetic reasons, but also because he believed that his new functionalism would improve the lives of both the workers and users of his products. In this he was influenced by the ideas of the Englishmen John Ruskin and William Morris, and the British Arts and Crafts movement, and in the late-1890s he travelled in Europe to observe the new styles. On return (1898) he started a factory in Eastwood, NY, where furniture was made - using machines when feasible - in a style he called ‘Craftsman’. The style was mostly ‘fumed’ oak with plain rectilinear lines, usually leather for seats, and a simple finish. After being exhibited at a trade fair in 1900, the new furniture came to be widely known as ‘Mission style’ because it looked like the furniture made for the Catholic missions in the SW, although Stickley himself claimed the name arose because his furniture was designed to fulfill its ‘mission of usefulness’. (In the spirit of mediaeval craftsmen, he placed his motto on his furniture, als ik kan - ‘as I can’ - borrowed from the 14th-c artist Jan van Eyck.) In 1901 he founded a magazine called Craftsman to promote his ideas about home furnishings and social reforms and remained its publisher and editor until it ceased publication in 1916. In 1902 Craftsman began printing home designs, usually for small bungalows with ‘built-it’ furniture items, and mail-order firms such as Sears, Roebuck sold the complete materials for building these. Stickley, meanwhile, after briefly turning his company into a profit-sharing co-operative (1901–5), greatly expanded his manufacturing capacity, established his corporate headquarters in the Craftsman Building in New York City, and in 1908 established Craftsman Farms in New Jersey as a model for growing and serving food. The Craftsman movement seemed to be everywhere, but in 1915 his over-extended empire collapsed into bankruptcy as a result of World War 1 and changing tastes, and he never regained his influence. Two of his brothers, Leopold and J George Stickley, who had already been making furniture in Gustav's style in Fayetteville, NY, purchased his factory at Eastwood and continued making furniture under the Stickley name. |
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